Wandering, wandering with a sun on my back, HD film, CGI, 16 minutes 19 seconds

The tone of this film is deeply existential, unfolding in tension with its hyper-concentrated computer-generated visuals. While the imagery is glossy, saturated, and technologically precise, the emotional register is one of isolation, entrapment, and metaphysical uncertainty. At the center of the frame, we encounter a shimmering human figure, both hyper-visible and strangely unstable, confined within architectural dwellings that suggest shelter yet feel impossible to escape. These interiors function less as safe spaces than as psychological enclosures, echoing the inner confinement of the mind.

The surrounding landscapes oscillate between dystopian desolation and uncanny utopia. Lush horizons dissolve into barren terrain; radiant light gives way to sterile emptiness. This fluctuation destabilizes any fixed sense of reality, mirroring the character’s fragile interior state. Objects within these spaces refuse solidity: they pulsate, morph, and melt into one another, erasing clear boundaries between subject and environment. Through this amorphous visual language, pain and distress become spatial and material rather than purely emotional. The film ultimately presents a world in which the digital sublime amplifies existential vulnerability, transforming psychological suffering into a shifting, immersive terrain.