{"id":447,"date":"2020-07-02T16:24:13","date_gmt":"2020-07-02T15:24:13","guid":{"rendered":"http:\/\/bassamissa.xyz\/?page_id=447"},"modified":"2026-02-24T16:15:02","modified_gmt":"2026-02-24T16:15:02","slug":"dissolving-beyond-the-worm-moon-2","status":"publish","type":"page","link":"https:\/\/bassamissa.xyz\/?page_id=447","title":{"rendered":"Dissolving Beyond The Worm Moon"},"content":{"rendered":"\n
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Dissolving Beyond The Worm Moon<\/mark><\/strong>, HD CGI Film, Runtime: 18 minutes 33 seconds<\/p>\n\n\n\n

the film was produced in response to war, unrealized childhood fantasies, and questions of representation within globalized media culture. It explores how violent conflict reverberates beyond the battlefield, shaping not only geopolitical realities but also the intimate landscapes of memory and identity. At its core, the film imagines the traumatized body as a functioning time machine, an unstable vessel through which past, present, and future collapse into one another. Temporal gaps and anomalies fracture linear experience, so that the present-day body intermittently disappears, replaced by embodied memories of unresolved trauma.<\/p>\n\n\n\n

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The narrative unfolds through a weaving of mental time travel, episodic future thinking, and the psychological aftershocks of PTSD. By projecting the self into imagined futures to pre-experience events, the protagonist attempts to regain agency over a life disrupted by war. Yet these projections are haunted by recurring flashbacks, the trauma resists containment within any single timeline. Through this interplay of memory and anticipation, the film questions whether healing requires forgetting, or whether survival depends on learning to inhabit multiple temporalities at once.<\/p>\n\n\n\n

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Dissolving Beyond The Worm Moon, HD CGI Film, Runtime: 18 minutes 33 seconds the film was produced in response to war, unrealized childhood fantasies, and questions of representation within globalized media culture. It explores how violent conflict reverberates beyond the battlefield, shaping not only geopolitical realities but also the intimate landscapes of memory and identity. At its core, the film imagines the traumatized body as a functioning time machine, an<\/p>\n

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